Allen & Heath CQ-20B Digital Mixer
Rackmount 1RU 20-input/12-output digital mixer with full DEEP processing — same engine as the CQ-18T, no surface.
Allen & Heath — CQ-20B 38-channel Digital Mixer

What it is
The CQ-20B is the rack-mount sibling of the CQ-18T touchscreen mixer. It's 1RU, has more inputs (16 mic/line + 4 stereo channels for 38 total), 12 outputs, and skips the screen — control is entirely via the CQ4You app over Wi-Fi/Ethernet or a connected USB device. Same 96 kHz processing, same DEEP processing models, same multi-track USB recording.
Who it's for
Installs, monitor positions, broadcast booth feeds, and any application where you don't need a control surface (or you have a separate iPad permanently mounted as one). Also a great B-position to a CQ-18T if you need more channels in a single show.
Spec highlights
- 1RU, 16 mic/line + 4 stereo line inputs (38 channels total)
- 8 XLR + 4 TRS outputs + main stereo + monitor
- Built-in Wi-Fi and gigabit Ethernet
- 16-channel USB multi-track recording to thumb drive
- DEEP compressors and FX engines (same as dLive)
- 6 stereo FX returns
- USB-C audio interface (16-in/16-out class compliant)
Real-world notes
Without a screen, you're 100% reliant on the app. Make sure you have a dedicated tablet, an in-rack iPad mount, or a laptop running the desktop control software. The Wi-Fi works fine for basic gigs but plug in a small access point for anything mission-critical.
The 38-channel input count is misleading — you have 20 input strips (16 mono mic/line + 4 stereo). Plenty for most events but not a 32-channel console replacement.
USB-C as a class-compliant audio interface means it just shows up in DAWs. Useful for virtual sound checks and IFB feeds.
Bottom line
If you want CQ-series processing without paying for the touchscreen, this is the unit. Best for installs, monitor positions, or as part of a multi-box distributed setup.
Pros
- +1RU rack form factor — fits anywhere
- +DEEP processing models matched to the CQ-18T and dLive
- +Class-compliant USB-C interface for DAW work
- +Multi-track recording to USB stick — no laptop needed
- +Built-in Wi-Fi for fast deployment
Cons
- −No on-board controls — fully app-dependent
- −16 mono mic inputs is the cap; bigger shows need to scale up
- −Built-in Wi-Fi is OK for line-of-sight, not for noisy RF environments
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